• Final Cut Studio 2 Download
• Download Final Cut Studio For Pc

Final Cut Studio programs will no longer launch in macOS upon the release of High Sierra. It is the official end of FCP7. When I first started writing for PremiumBeat in 2015, I mentioned that is was time for editors to stop cutting in Final Cut Pro 7. Well, for those still working in FCP7, a. Final Cut Pro includes an intuitive, comprehensive set of tools for closed captioning in a variety of formats, without the need for expensive third-party software or services. You can create, view, and edit captions within Final Cut Pro, and deliver them as part of your video or as a separate file. Customers using earlier versions of Apple Pro Apps—including Final Cut Pro, Logic Pro, Motion, Compressor, or MainStage—need to update their apps to be compatible with macOS High Sierra. These versions of Apple Pro Apps are compatible with macOS High Sierra: Final Cut Pro X 10.3.4 or later; Motion 5.3.2 or later; Compressor 4.3.2 or later. Is it possible to get new older versions of Final Cut (Pro or Studio) from Apple? Or License Keys? I'm not ready to take the plunge to the latest versions yet. If not from Apple, where would I buy LEGAL versions?

Final Cut Studio is a discontinued professional video and audio production suite for Mac OS X from Apple Inc., and a direct competitor to Avid Media Composer in the high-end movie production industry. It was developed from 2005 to 2011. Three of its primary applications - Final Cut Pro X (not compatible with previous versions of Final Cut), Motion, and Compressor - continue to be developed and are published as separate applications on the Mac App Store. The legacy boxed version of Final Cut Studio was last made available only through Apple's phone sales, and therefore not online or in Apple Stores. As of 2017, Final Cut Pro 7 no longer runs on macOS High Sierra or later.^[1]

• 2History
• 3Marketing

Components[edit]

Final Cut Studio version 3, the final release upon discontinuation of the suite, contains six main applications and several smaller applications used in content creation.

• Final Cut Pro 7 – 'real-time editing for DV, SD and HD'
• Motion 4 – 'real-time motion graphics design'
• Soundtrack Pro 3 – 'advanced audio editing and sound design'
• DVD Studio Pro 4 – encoding, authoring and burning.
• Color 1.5 – a new color grading application adapted from Silicon Color's FinalTouch.
• Compressor 3.5 – a video encoding tool for outputting projects in different formats.
• Cinema Tools 4.5 – tools specific to film processing.
• Qmaster 3 – a distributed processing tool.

The applications are designed to integrate as a suite, to form a workflow. In particular:

• Final Cut Pro sequences can be exported to Soundtrack Pro for audio tweaking or music scoring
• Final Cut Pro sequences can be sent to Compressor, for encoding in an external format
• Final Cut Pro sequences can be exported to Motion, for motion graphics overlays, or LiveType, specifically for title overlays
• LiveType projects can be opened in Final Cut Pro without needing to be exported first
• Motion projects can be incorporated into DVD Studio Pro menus without needing to be exported first
• LiveFonts from LiveType can be used in Motion.

Final Cut Pro and Motion also integrate directly with Apple's discontinued Shake, a digital compositing package.

History[edit]

Production Suite is a software compilation by Apple used for digital video editing. Production Suite contains Final Cut Pro HD, DVD Studio Pro 3, and Apple Motion. The compilation's component applications were announced at the National Association of Broadcasters in April 2004, and the compilation was released in August 2004.

Final Cut Studio was introduced at the National Association of Broadcasters in April 2005, as the successor to Production Suite. It added new versions of all the Production Suite applications: Final Cut Pro, DVD Studio Pro and Motion. It also introduces a new application, Soundtrack Pro, which is a new version of Soundtrack, formerly included with Final Cut Pro. In January 2006, Final Cut Studio became the only way to purchase any of the individual major applications. In March 2006, Apple released the Universal Binary version as Final Cut Studio 1.1.

Release history[edit]

Marketing[edit]

Final Cut Studio has been positioned as an all-in-one production workflow system because of its integration of film, motion graphics and audio post-production tools in one suite. It is analogous to the iLife suite, which is aimed at consumers, insomuch as iMovie is the consumer counterpart of Final Cut Pro; GarageBand 3 is a consumer version of Logic Pro; and iDVD is the cut-down version of DVD Studio Pro. Like Motion, iMovie includes Core Image effects that can be applied in real time.

High Definition[edit]

In the Macworld Conference and Expo 2005, Steve Jobs, former CEO of Apple, declared 2005 to be the 'Year of HD'. To this end, the HD features of Final Cut Studio were emphasized, such that a little HD logo was placed on the box for each individual Studio application, as well as the Final Cut Studio box.

Final Cut Pro supports nearly all High Definition formats (HDV, DVCPRO HD, AVCHD, and uncompressed HD) and Soundtrack Pro and Motion can import these formats too, where they can be played back on an external monitor. DVD Studio Pro supports the HD DVD 1.0 specification. See DVD Studio Pro.

Packaging[edit]

The design for the packaging and websites for each application are consistent to a demonstration video shown at the product's introduction at NAB 2005. This video also includes reference to Shake 4 – a high-end digital compositing application that integrates with Final Cut Pro but is not included in Final Cut Studio.

Case studies[edit]

To market the Studio components, Apple compiled a set of case studies of real-world users of the applications. For Final Cut Pro, they used Bunim-Murray Productions' uses of the program in their The Real Worldreality television show. For Soundtrack Pro, Walter Murch became their advocate – a film editor and sound designer who worked on Cold Mountain and The Godfather. For Motion, Apple used the example of Mekanism and their creation of a TV spot designed to persuade young people to vote. And for DVD Studio Pro, the example of Relevant was used, who used the application in a unique, interactive movie called Backwoods to Brooklyn.

See also[edit]

References[edit]

1. ^'Final Cut Pro 7 No Longer Supported in New Mac OS'.
2. ^'Apple - Press Info - Apple Introduces Final Cut Pro 2 with Real-Time Editing and Breakthrough G4 Performance'. Archived from the original on July 15, 2010.
3. ^'Apple - Press Info - Apple Announces Final Cut Pro 3'. Archived from the original on July 15, 2010.
4. ^'Apple - Press Info - Apple Announces Cinema Tools for Final Cut Pro'. Archived from the original on June 9, 2011.
5. ^'Apple - Press Info - Apple Announces DVD Studio Pro 1.5 for Mac OS X'. Archived from the original on January 13, 2009.
6. ^'Apple - Press Info - Apple Announces Final Cut Pro 4'. Archived from the original on June 9, 2011.
7. ^'Apple - Press Info - Apple Announces DVD Studio Pro 2'. Archived from the original on March 30, 2011.
8. ^'Apple - Press Info - Apple Unveils Final Cut Pro HD'. Archived from the original on May 1, 2011.
9. ^'Apple - Press Info - Apple Announces DVD Studio Pro 3'. Archived from the original on May 1, 2011.
10. ^'Apple - Press Info - Apple Introduces Motion'. Archived from the original on May 1, 2011.
11. ^'Apple - Press Info - Apple Introduces Production Suite'. Archived from the original on June 9, 2011.
12. ^'Apple - Press Info - Apple Unveils Final Cut Studio'. Archived from the original on June 9, 2011.
13. ^'Apple - Press Info - Apple Introduces Soundtrack Pro'. Archived from the original on June 8, 2011.
14. ^'Apple - Press Info - Apple Ships Final Cut Studio 5.1'. Archived from the original on May 15, 2011.
15. ^'Apple - Press Info - Apple Unveils Final Cut Studio 2'. Archived from the original on May 15, 2011.
16. ^'Apple - Press Info - Apple Updates Final Cut Studio with More Than 100 New Features'. Archived from the original on March 29, 2011.

External links[edit]

• Official Final Cut Studio home page at the Wayback Machine (archived March 28, 2011)

Final Cut Pro is a series of non-linear video editing software programs first developed by Macromedia Inc. and later Apple Inc. The most recent version, Final Cut Pro X 10.4.6, runs on Intel-based Mac computers powered by macOS High Sierra or later. The software allows users to log and transfer video onto a hard drive (internal or external), where it can be edited, processed, and output to a wide variety of formats. The fully rewritten Final Cut Pro X was introduced by Apple in 2011, with the last version of the legacy Final Cut Pro being version 7.0.3.

Since the early 2000s, Final Cut Pro has developed a large and expanding user base, mainly video hobbyists and independent filmmakers. It had also made inroads with film and television editors who have traditionally used Avid Technology's Media Composer. According to a 2007 SCRI study, Final Cut Pro made up 49% of the United States professional editing market, with Avid at 22%.^[1] A published survey in 2008 by the American Cinema Editors Guild placed their users at 21% Final Cut Pro (and growing from previous surveys of this group), while all others were on an Avid system of some kind.^[2]

• 2Interface
• 4File format

Features[edit]

Final Cut Pro provides non-linear, non-destructive editing of any QuickTime-compatible video format including DV, HDV, P2 MXF (DVCProHD), XDCAM (via plug-in), 2K, 4K, 5K, and 8K film formats^[3] and can import projects directly from iMovie for iOS. It supports a number of simultaneously composited video tracks (limited mainly by video form capability); unlimited audio tracks; multi-camera editing for combining video from multiple camera sources; 360º video editing support; as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions. It comes with a range of video transitions and a range of video and audio filters such as keying tools, mattes and vocal de-poppers and de-essers. It also has multiple color correction tools including color wheels, sliders and curves, video scopes and a selection of generators, such as slugs, test cards, and noise.^[3]

Interface[edit]

The legacy (v. 7.0.3 and earlier) Final Cut (Pro and Express) interface was designed around non-computerized editing work-flows, with four main windows that replicate tried-and-trusted methods of organising, viewing and editing physical tape or film media. The browser, where source media files (or clips) are listed, replicates the editor's traditional film 'bins' or stacks of videotapes. The Viewer, where individual media files can be previewed and trimmed, replicates the source monitor of older tape-based systems. The Canvas replicates the 'program' monitor in such systems, where the edited material is viewed. The Timeline, where media are assembled into a sequence, replicates the physically edited film or master tape of earlier systems. There is also a small Toolbox window and two audio-level indicators for the left and right audio channels.

Both the Viewer and Canvas have a shuttle interface (for variable-speed scanning, forwards or backwards through a clip) and a jogging interface for frame-by-frame advancing.

Browser[edit]

As in most digital non-linear editing applications, the Browser is not an interface to the computer's file-system. It is an entirely virtual space in which references to clips (aliases) are placed for easy access, and arranged in folders called 'bins'. Since they are only references to clips that are on the media drive of the computer, moving or deleting a source file on the media hard drive destroys the link between the entry in the Browser and the actual media. This results in a 'media offline' situation, and the media must be 'reconnected'. Final Cut Pro can search for the media itself, or the user can do this manually. If multiple clips are offline at the same time, Final Cut can reconnect all the offline media clips that are in the relative directory path as the first offline media clips that is reconnected.

The browser has an 'effects' tab in which video transitions and filters can be browsed and dragged onto or between clips.

Canvas[edit]

The canvas outputs the contents of the Timeline. To add clips to the Timeline, besides dragging them there, it is possible to drag clips from the Browser or Viewer onto the Canvas, whereupon the so-called 'edit overlay' appears. The edit overlay has seven drop zones, into which clips can be dragged in order to perform different edits. The default is the 'overwrite' edit, which overwrites at an in point or the space occupied after the playhead with the incoming clip. The 'insert' edit slots a clip into the sequence at the in point or playhead's position, keeping the rest of the video intact, but moving it all aside so that the new clip fits. There are also drop zones to have the application automatically insert transitions. The 'replace' edit replaces a clip in the Timeline with an incoming clip, and the 'fit to fill' edit does the same thing, but at the same time, it adjusts the playback speed of the incoming clip so that all of it will fit into the required space [in the Timeline]. Finally there is the 'superimpose' edit, which automatically places the dropped clip on the track above the clip in the Timeline, with a duration equal to the clip below it. Unless an in or out point are set, all edits occur from the position of the playhead in the Timeline.

Using the wireframe view on the canvas, the clip can be manipulated directly - dragging it around in the canvas to change its position, for example, or resizing it. Precise adjustment controls for these things are in the viewer.

Viewer[edit]

The viewer has tabs for each channel of the selected clip's audio, in which the waveform for the audio can be viewed and scrubbed, and where its volume can be keyframed. The filters tab is where effects for the clip appear and where their parameters can be adjusted and keyframed. If the clip selected is a generator (such as an oval shape), a control tab appears for changing its geometrical properties. Finally, the viewer's motion tab contains tools to adjust the scale, opacity, cropping, rotation, distortion, drop shadow, motion blur and time remapping properties of a clip. Mini-timelines to the right of each parameter allow the property to be keyframed. The Viewer is not present in Final Cut Pro X.

Timeline[edit]

Clips can be edited together in timelines called sequences. Sequences can be nested inside other sequences, so that a filter or transition can be applied to the grouped clips.

The Timeline in Final Cut Pro allows 99 video tracks to be layered on top of each other. If a clip is higher [in the timeline] than another, then it obscures whatever is below it. The size of a video clip can be altered, and the clips can be cropped, among many other settings that can be changed. Opacity levels can also be altered, as well as animated over the course of the clip using keyframes, defined either on a graphical overlay, or in the Viewer's 'motion' tab, where precise percentage opacity values can be entered. Final Cut also has more than a dozen common compositing modes that can be applied to clips, such as Add, Subtract, Difference, Screen, Multiply, Overlay, and Travel Matte Luma/Alpha.

The compositing mode for a clip is changed by control-clicking or right-clicking on the clip and selecting it from the cascading contextual menu, or by selecting the mode from the application's 'modify' menu. For either matte modes, the clip that will perform the key is placed overneath the fill clip on the Timeline.

For more advanced compositing Final Cut Pro is compatible with Apple's Shake (discontinued) and Apple Motion software.

Keyboard shortcuts[edit]

Final Cut Pro uses a set of hot-keys to select the tools. There are almost 400 keyboard commands that allow the user to increase the speed of edits.^[4] This combined with the nonlinear approach that digital editing, provides Final Cut Pro users with several editing options.

Users can also set their own customisable keyboard preferences.

History[edit]

Randy Ubillos created the first three versions of Adobe Premiere, the first popular digital video editing application.^[5] Before version 5 was released, Ubillos' group was hired by Macromedia to create KeyGrip, built from the ground up as a more professional video-editing program based on Apple QuickTime. Macromedia could not release the product without causing its partner Truevision some issues with Microsoft, as KeyGrip was, in part, based on technology from Microsoft licensed to Truevision and then in turn to Macromedia. The terms of the IP licensing deal stated that it was not to be used in conjunction with QuickTime. Thus, Macromedia was forced to keep the product off the market until a solution could be found. At the same time, the company decided to focus more on applications that would support the web, so they sought to find a buyer for their non-web applications, including KeyGrip, which by 1998 was renamed Final Cut.

Final Cut was shown in private room demonstrations as a 0.9 alpha at the National Association of Broadcasters (NAB) exposition in 1998 after Macromedia pulled out of the main show floor. At the demonstration, both Mac and Windows versions were shown. The Mac version was working with a Truevision RTX dual stream real time card with limited real time effects. When no purchaser could be found, Apple purchased the team as a defensive move. When Apple could not find a buyer in turn, it continued development work, focusing on adding FireWire/DV support and introduced Final Cut Pro at NAB 1999.

In order that Final Cut Pro would be supported from the beginning with third-party self-paced and instructor-led training, Apple worked with DVcreators.net, who released a training disc called 'Final Cut Pro PowerStart' at NAB on the day Final Cut Pro was released. Apple worked with DVcreators.net to host hundreds of free and paid Final Cut Pro seminars and workshops in 60 cities in the U.S., Canada and other countries over the following years, a strategy that some feel fundamentally contributed to Final Cut Pro's early awareness in the marketplace and rise in market share.

After the introduction of Final Cut Pro, Adobe Premiere's market share remained strong on Windows but began to decline on the Mac as its older codebase was more difficult to maintain. In 2003, Apple announced a program for Premiere users to trade in their discs for a free copy of Final Cut Express or a $500 discount on Final Cut Pro.^[6]

Final Cut Pro benefited from the relative maturity of QuickTime and its native support for then-new DV cameras connected with FireWire (IEEE1394).

The first fully Broadcast quality, Worldwide Distributed TV show produced on Final Cut Pro was 2000's WOW! Women of Wrestling, using the Pinnacle CinéWave uncompressed video card. The Oxygen Network was a beta site for Final Cut Pro in late 1999 through network launch in early 2000. Shows like ShE-Commerce were cut using FCP.

In late 2001, Independent Producer, Michael A. Bloom announced in an interview with Larry King while defending his controversial film 'PlayCouples, A New Era Of Swinging (2003)' was made possible only after his transition from Avid Media Composer to Final Cut Pro. He cited the relatively new platform hadn't failed once while rendering his film which was not what he experience with Avid. After completing much of the leg work under a separate agreement between The Oxygen Network and his production company during beta testing of Final Cut he became an outspoken advocate. The studio motion picture The Rules of Attraction was edited on beta versions of Final Cut Pro 3, proving to the film industry that successful 3:2 pulldown matchback to 24fps could be achieved with a 'consumer' off-the-shelf product.^[7]Roger Avary, the film's director became the spokesperson for Final Cut Pro, appearing in print advertisements worldwide. His advocacy of the product gave confidence to mainstream editors such as Walter Murch, that the product was ready for 'prime time.'

In August 2002, the application won a Primetime Emmy Engineering Award for its impact on the television industry.^[8]

Final Cut Pro 4 was announced in April 2003. It included three new applications: Compressor, used for the transcoding between video formats; LiveType for advanced titling (such as the creation of animated lower thirds); and Soundtrack, for royalty-free music soundtrack creation. It also bundled Cinema Tools, which was previously sold separately for filmmakers working with telecine.

Also in 2003, Apple launched Final Cut Express, a less expensive version of Final Cut Pro. It uses the same interface as Final Cut Pro, but it lacks some of the film-specific tools and other advanced options, limiting the feature set for non-professional editors. In January 2005, Soundtrack and LiveType, previously only available with Final Cut Pro, were added to Express, and features were added to edit HDV. Soundtrack was subsequently removed with Final Cut Express 4. In June 2011, Final Cut Express was officially discontinued, in favor of Final Cut Pro X.

In April 2004, version 4.5 of Final Cut Pro was introduced and branded by Apple as 'Final Cut Pro HD' due to its native support for Panasonic's tape-based DVCPRO HD format for compressed 720p and 1080i HD over FireWire. (The software had been capable of uncompressed HD editing since version 3.0, but at the time had required expensive video cards and high speed storage.)

Final Cut Pro 5 was announced at a pre-NAB event in April, and shipped in May 2005. Final Cut Pro 5 added support for the burgeoning HDV format for compressed HD, which had previously been supported in Final Cut Pro's 'scaled-down' cousin, Final Cut Express. Final Cut Pro 5 also added support for Panasonic's P2 format for the recording of DVCPRO HD video to memory cards rather than tape.

In January 2006, Apple stopped selling Final Cut Pro as a stand-alone product. In March 2006 the Universal Binary 5.1 version was released as part of Final Cut Studio. Upgrades were achieved by sending the original installation discs back to Apple with a fee. One noticeable difference is that the Intel versions of Final Cut and Motion no longer recognize After Effects plug-ins. Instead, Apple released its own universal plug-in architecture FxPlug.

On April 15, 2007, Apple revealed Final Cut Pro 6.0, as the cornerstone of the Final Cut Studio 2 bundle. Once again, Apple did not have a booth at NAB 2009, though the product was well represented on the show floor in various booths. The RED Camera team relied heavily on FCP during development.

On July 23, 2009, Final Cut Pro 7/Final Cut Studio 3 (not officially designated as such by Apple but adopted by most users to describe the 2009 changes) was released, but it was not yet a 64-bit application.

Final Cut Pro X was announced on April 12, 2011 and released on June 21.^[9][10] It is a 64-bit application completely rebuilt with a new interface, workflow enhancements and automation, and new features such as ColorSync integration, resolution-independent playback system, system scaling with Core Animation, and more. The three Final Cut Studio apps, Color, Soundtrack Pro, and DVD Studio Pro were dropped, while Motion 5 and Compressor 4 were released onto the Mac App Store.

In its initial release, Final Cut Pro X was met with mixed reviews as many video editors eschewed its dramatic departure from the traditional editing interface and the dropping of many legacy (and some non-legacy) features. At the time of the initial release, a significant number of long-time Final Cut Pro users considered the new product to be an unsatisfactory product undeserving to be part of Final Cut Pro product line.^[11] An online petition was started demanding either the continued development of the legacy Final Cut Pro product or its sale to a third party by January 1, 2012. The initiator of the petition was banned from the Apple discussion forums.^[12] By January 2014, the petition had received well over 9,000 signatures.

On October 27, 2016, Apple unveiled Final Cut Pro 10.3, which included a redesigned interface, enhanced window resizing, extended multiple display support, support for the Touch Bar on the new MacBook Pro, and an updated version of the Magnetic Timeline.

In December 2017, Apple updated Final Cut Pro X to version 10.4, which included enhanced color editing tools, 360-degree video editing support and support for HDR. The new version also supports the HEVC video format and HEIF photo format. Final Cut Pro X 10.4 has also gained the ability to import projects from iMovie for iOS, and now supported enhanced performance on the iMac Pro.^[13]

File format[edit]

A Final Cut Pro Project technically consists of separate files:

• Project File
• Media Source Files
• Render Files, Cache Files

The location of the Media and the Render/Cache Files is not standardised. Final Cut Pro can be configured where to store them. Some users have a central directory where they store all their Source/Render/Cache files, some set those file paths to their specific project directory, so that they have all project files at one place.

After having finished a project, one can erase everything but the project file, to save disk space, and at a later time Final Cut Pro can re-capture/re-link all source data and recalculate all render and cache data, provided it can access all linked sources.

Project file[edit]

The first versions of Final Cut Pro and Final Cut Express used a binary file which contained all montage information such as timecode information, clip's in/out-points, size/crop/position, composition nesting, filter settings, automation data, etc.

More recent editions of Final Cut Pro and Final Cut Express, before Final Cut Pro X, used the file extension .fcp.

The latest version of Final Cut Pro, Final Cut Pro X, uses a new file extension; .fcpx. Apple has come under some criticism for not supporting the older .fcp project files, when it does support importing iMovie projects (.imovieproj files).^[14] This concern has been addressed through the use of third party software, allowing for the migration of legacy FCP file formats into working FCPX libraries and projects. The software is called 7toX^[15] and was developed by Philip Hodgetts.

Media source files[edit]

Either captured from tape or loaded/imported from the file system.

Render files, cache files, etc.[edit]

Files which are generated by Final Cut Pro, i.e. audio waveform display, filter effects, etc.

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Major films edited with Final Cut Pro[edit]

• The Rules of Attraction (2002)^[7]
• Full Frontal (2002)^[7]
• The Ring (2002)
• Cold Mountain (2003) (Academy Award nominee for Best Editing – Walter Murch)^[7]
• Intolerable Cruelty (2003)
• Open Water (2003)
• Napoleon Dynamite (2004)
• The Ladykillers (2004)
• Sky Captain and the World of Tomorrow (2004)
• Super Size Me (2004)
• Corpse Bride (2005)
• Dreamer: Inspired by a True Story (2005)
• Happy Endings (2005)
• In the Shadow of the Palms (2005)
• Jarhead (2005)
• Little Manhattan (2005)
• Me and You and Everyone We Know (2005)
• 300 (2007)^[7]
• Black Snake Moan (2006)
• Happy Feet (2006)
• Inland Empire (2006)
• Zodiac (2007)
• The Simpsons Movie (2007)
• No Country for Old Men (2007) (Academy Award nominee for Best Editing – Roderick Jaynes)
• Reign Over Me (2007)
• Youth Without Youth (2007)
• Balls of Fury (2007)
• Gabriel (2007)
• Enchanted (2007)
• Traitor (2008)
• Burn After Reading (2008)
• The X-Files: I Want to Believe (2008)
• The Curious Case of Benjamin Button (2008) (Academy Award nominee for Best Editing - Kirk Baxter and Angus Wall)
• X-Men Origins: Wolverine (2009)
• (500) Days of Summer (2009)
• Where the Wild Things Are (2009)^[7]
• A Serious Man (2009)
• Tetro (2009)
• By the People: The Election of Barack Obama (2009)
• Gamer (2009)
• Eat, Pray, Love (2010)
• Twixt (2011)
• Courageous (2011)
• John Carter (2012)
• Hemingway & Gellhorn (2012)
• The Patrol (2013)
• A Most Violent Year (2014)
• Focus (2015)^[16]
• What Happened, Miss Simone? (2015)^[17]
• Whiskey Tango Foxtrot (2016)^[18]
• Saved By Grace (2016)^[19]
• Kubo and the Two Strings (2016)

See also[edit]

References[edit]

1. ^'FCP passes the million mark'. TVB Europe. May 1, 2008. Retrieved January 22, 2010.
2. ^'American Cinema Editors Society 2008 Equipment Survey'. American Cinema Editors Society. June 21, 2009. Archived from the original on July 24, 2011. Retrieved February 21, 2010.
3. ^ ^ab'Final Cut Pro X - Tech Specs'. Apple.
4. ^Jordan, Larry (February 2009). 'Customizing Final Cut Pro Keyboard Shortcuts'. Larry's Final Cut Pro Newsletter. Larry Jordan & Associates, Inc. Retrieved September 24, 2012.
5. ^'Apple Announces New DEST Member'. AppleWeb. November 5, 1999. Retrieved January 22, 2010.
6. ^'Apple Offers Premiere Users Easy Switch to Final Cut Pro'. Apple. July 16, 2003. Retrieved January 22, 2010.
7. ^ ^abcdefBurley, Shane (August 5, 2008). 'The History of Final Cut Pro'. Bright Hub. Retrieved January 23, 2010.
8. ^'Apple's Final Cut Pro Wins Emmy Award'. Apple. August 20, 2002. Retrieved January 22, 2010.
9. ^'NAB 2011 Final Cut Pro Supermeet Coverage [Final Cut Pro X Announced]'. MacRumors. April 12, 2011.
10. ^Dove, Jackie. 'Apple released Final Cut Pro X on 21st June'. Retrieved June 24, 2011.
11. ^'Final Cut Pro X, Motion, Compressor out! - Apple'.
12. ^'Petition seeks to bring back old Final Cut Pro'.
13. ^https://www.apple.com/newsroom/2017/12/final-cut-pro-x-introduces-360-degree-vr-video-editing/
14. ^Weintraub, Seth. 'Criticism for not supporting older .fcp file'. 9 to 5 Mac. Retrieved June 25, 2011.
15. ^Wiggins, Peter. 'Philip Hodgetts presents Final Cut Pro 7 to X at the LAFCPUG'. Retrieved July 23, 2016.
16. ^Wiggins, Peter. 'How the Hollywood feature film Focus was edited on Final Cut Pro X Part One'. Retrieved July 23, 2016.
17. ^Wiggins, Peter. 'Post Production on 'What Happened, Miss Simone?' An Oscar Nominated Documentary Edited on Final Cut Pro X'. Retrieved July 23, 2016.
18. ^Wiggins, Peter. 'How the Hollywood film Whiskey Tango Foxtrot was edited on Final Cut Pro X'. Retrieved July 23, 2016.
19. ^Courtens, Ronny. 'Hollywood veteran Lance Bachelder explains why he has chosen to use Final Cut Pro X on his latest feature film 'Saved By Grace''. Retrieved July 23, 2016.

Final Cut Studio 2 Download

External links[edit]

Download Final Cut Studio For Pc